Hadassa Goldvicht received her BFA from the Rhode Island School of Design (2004) and her MFA from the School of Visual Arts in New York (2007).
Her works include both large scale public interventions and works created in the private domain. She tends to drags sensibilities that belong in the private domain into the public realm, and vice versa.
Her installations explore the relationship between language and hierarchy, ritual and care taking, she attempts to read and rewrite the emotional and social/political texts written in the body.
Exhibition venues include the Israel Museum; Jewish Museum, NY; Museu Colecção Berardo, Lisboa; Fondazione Querini Stampalia, Venice; Zacheta National Gallery of Art, Warsaw; Andrea Meislin Gallery, NY; Ackland Art Museum, NC; Ein Harod Museum; Marginal Utility Gallery, Philadelphia; No Soul for Sale Festival, Tate Modern; and Jerusalem Artist House.
Past artist residencies include Skowhegan School of Painting and Sculpture; Lower Manhattan Cultural Council Workspace Residency; New York University Visiting Artist; Urban Glass, NY; Center for Book Arts, NY; and Mamuta Pasal Media Center, Jerusalem.
Her work is included in major private and public collections, including the Jewish Museum, NY; Israel Museum, Jerusalem; Fondazione Querini Stampalia, Venice; Tel Aviv Museum; The RISD Museum, RI; and The Center for Book Arts, NY.