Israel Trail Procession by Meirav Heiman & Ayelet Carmi

Ayelet Carmi and Meirav Heiman, The Israel Trail Procession, Asylum Arts 2017

Meirav Heiman and Ayelet Carmi talk about their most recent collaboration, Israel Trail Procession, now being presented in Israel at Petach Tikvah Museum of Art through February 9, 2019. We are so proud to have supported this project through our Small Grants Program.

The joint project that we are working on currently manifests both our artistic careers and practices. Each of us has developed our own distinctive style through more than 20 years of mostly independent work. We are both based in different medias, and our bodies of work over the years tend to differ in tone, attitude and cultural references. However, as two women artists who have been active in the Israeli scene, we were always aware of and inspired by each other’s work. Four years ago, we finally made the decision to collaborate.

The project we have been working on is titled The Israel Trail Procession. Currently showing in Petach Tikva Museum of Art, it is highly ambitious in terms of its scope, production value, aesthetic, artistry and the many disciplines it involves.

A multi-participant video, The Israel Trail Procession involves specially constructed machinery, costumes, acrobatics, theatricality and more. It draws on the breadths of ideas, aesthetics and skills, and we have developed this through years of refining our respective artistic practices:

The female body is present in both our bodies of work as a site of action, sensuality, beauty and drama. The Israel Trail Procession, although not explicitly dealing with gender identities, features a mostly feminine cast in a way that suggests a mythical or post-apocalyptical society whose most prominent members are women. This spectacle, as explained below, makes the most of our combined skills and ideas: cinematography, the staging of live action, group dynamics, mechanical inventions, mythological themes and theatricality.

The Israel Trail Procession takes its cue from The National Israel Trail, a 1,000-kilometer cross-country hiking route that runs from the Lebanese border all the way to Eilat. Relatively new, the trail (‘Shvil Israel’) was inaugurated in 1995, but clearly connects to a much older Zionist ethos of “conquering the land with one’s feet.” We have turned this feature of the modern state of Israel into an eccentric parade of walkers of different ages that seem to belong in a time outside time – a cross between post-apocalyptic descendants of present-day Israelis and a tribal troupe belonging to ancient, obscure times.

In transporting the trail to the dreamy world of the Procession, we have operated one radical change: In contrast with the exalted value of coming in contact with the land, here the marchers – a mixed group of mostly women, with one child and a few elderly men – seem to follow a logic of avoiding contact with the ground altogether. To this end, the heterogeneous group – attired in futuristic, skin-tight garments – employs an array of contraptions designed to shift them forward, however slowly and inefficiently, along the trail.

Something about this group brings to mind dark medieval times. In their strange clothing, wheels, carts and marching contraptions, they resemble a group of pilgrims, itinerant acrobats, nomads or outcasts that are forced to stick together, banished as they are from normal society. Other attributes in the form of flags and painted emblems link the group to modern Israel, channeling it as a hazy memory form a distant past – perhaps a mythology. In some mysterious way they are clearly related to us, if only through the radical estrangement from an ethos that – perhaps through the workings of catastrophes, upheaval and the turns of history – reincarnates itself, centuries later, as a taboo.

Each of the characters participating in the parade – recruited from amateurs and professional performers alike – are constructed individually, from the costume and specific mode of movement to the interaction with other characters. The artists depart from the mode of movement and its attendant contraption, building each character (or small groups of characters) around it. Designed and built especially for the project, each such ‘machine’ occurs uniquely along the parade. Together with the individualized costumes, the props and artistic design place this odd procession of marchers in a confused temporality – perhaps as if they are re-encoding the present traumas of a real/mythical land.

The Israel Trail Procession is being presented at Petach Tikva Museum of Art and at Villa Tamaris centre d’art as part of the France-Israel Culture season 2018. The show at Petach Tikva Museum of Art is a three-channel video installation that is spread over three walls. The show at Villa Tamaris is a single-channel movie screening 

Curator: Drurit Gur Arye
Producer: Shahar Marcus
Costume design: Elisha Abergel
Prop design: Yuval Kedem (Galileo), Hans Pallada
Editing: Guy Nemesh
Online editing: Gil Lupo
Production designer: Joanna Jones
Additional prop design: Dana Kira, Itta Nachtailer
Artistic support: Hadas Maor
Artistic consulting: Galia Bar Or, Tali Tamir, Raz Samira, Tami Katz-Freiman

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